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PETS
CLIFFHANGER
THRILLER
For their Spring Production, PETS chose a convoluted mystery thriller The House on the Cliff
by George Batson. This is a play full of twists and turns, nearly all the characters appearing
to have dual personalities keeping the audience constantly guessing as to who are the 'baddies'
and who are the 'goodies'.
As the title suggests, the play is set in a remote house on a cliff top, an ideal location for
a foul murder! As Act I opens, we learn that Karen Clayton has been widowed as a result of a
car crash, the driver of the car being her stepdaughter, Ellen, who has been paralysed in the
accident and is now confined to a wheelchair. Ellen is treated by the family doctor (Doctor
Lane) who arranges for a nurse (Nurse Pepper) to care for Ellen. Nurse Pepper tackles her task
enthusiastically, notwithstanding difficulties caused by the sinister housekeeper, Jenny. Enter
a second doctor, the suave Corey Phillips, with whom Ellen falls hopelessly in love, but is
that love requited?
The set, as is usual with PETS, was excellent with many imaginative touches. Sound and lighting
were also up to the usual high standard, whilst the special effects were cleverly handled. In
particular, the cacophonous bang of an offstage exploding car had the audience jumping out of
their seats in unison.
As Nurse Pepper, Peggy Tilly gave a bubbly performance, effectively bringing out the kindly
but slightly naive nature of the character. Sue Gowar was assured as Karen and kept the audience
uncertain as to whether she was angel or villainess. Mary Parsons is a new face at PETS, and
a very welcome one. As Ellen, she convincingly displayed her versatility portraying bitterness,
femininity and drama. The charming Corey Phillips was played by Richard Peachy whose bedside
manner left nothing to be desired. Anne and Peter Tull as, respectively, Jenny and Doctor Lane,
completed an excellent cast, the one chilling, the other urbane.
Denise Cleaver directed this excellent production with a sure touch and she must be well pleased
with the fruits of her labours. She will have been grateful to not only the cast but also to
the backstage team, too numerous to mention, for their efforts.
An enormous amount of work goes into putting on a production such as this. PETS are to be congratulated
and they deserve every support.
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